Definition of social realism and the conventions attached to the movement.
Main-
How my film follows these conventions and what films relate to mine (Harry Brown, The Guvnors)
How my film challenges these particular conventions and why?
- idents
- titles (which, when, animation?, where on screen - leave consideration of fonts to later analysis of genre)
- opening shot (ELS? fade in?)
- final shot of opening sequence (do more titles/main title follow? fade out?)
- shot types + variation
- continuity editing (eg following 180degree rule?)?
- focus on a main character ['mode of address']? (pro/antagonist?) PoVs?
- mise-en-scene + verisimilitude
- sound/music (non-/diegetic)
- editing
- narrative (which part/s of Todorov's structure: equilibrium, dis-equilibrium, new equilibrium?); use of binary opposition; exposition (dialogue, titles on screen, mise-en-scene etc); stereo/arche/counter-typical characters
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